The real journey of discovery in street photography consists not in seeking new streets but in having new eyes.Youngjae Lim
From “13 Motivational Tips from the NYC Street Photography Collective,” an article by Chris Gampat for The Phoblographer.
The reason I picked this one from the rest is that I think the temptation, especially for beginning shooters, is to think the key to better photos is a new something else, whether that’s a new location, or perhaps more commonly, new gear. Nope!
One reason Steph Curry can do those things: he sees the play before it transpires. The game moves in slow motion for the great ones.Jim Barnett, Warriors Broadcaster
A couple months ago, I wrote about the key to capturing the Decisive Moment: anticipation. The key to snapping it isn’t seeing and reacting (as that’s usually too late), it’s sensing when it’s about to happen.
As handed down by street photography forefather Henri Cartier-Bresson, The Decisive Moment is the precise time and place street shooters hope to uncover and capture. The street is a public stage, with passersby as the actors stepping into its sun-lit spotlight. However, for most who walk through it, both as participants and unconscious witnesses, the curtain is still closed.
As street photographers, it is our role to pull back this veil, inviting an audience to see the drama unfolding—not by scripting and performing it, but by framing and freezing it.