Street Photography International (SPi) is a collective of photographers “who promote the best street photography from around the world.” Their Instagram account—their main platform for promotion—just passed 250K followers. That’s a lot! Especially so for one so narrowly focused on the genre. And for good reason, as they curate and showcase top quality street photos from around the world.
I didn’t start dabbling in photography, via my marketing job, until 2010—well past the technological shift from film to digital that occurred in the early to mid aughts. A half a decade later, the summer of 2015 was when I began focusing on street photography. So, needless to say, I’m a “born digital” shooter who’s only known capturing 1s and 0s to CF and SD memory cards.
If you’re a digital-only shooter too, then maybe like me, you’ve heard a steadily growing chorus of fellow street photographers touting film (that supposedly antiquated medium from the dust bin of photographic history) for its “purity,” its “look,” its “process,” etc. Of course, all I could think about was the expense, the waiting, and the learning curve. Plus, don’t we have VSCO filters that create that filmic look? Pssh.
Well, I finally caved in. And I was wrong. (Not completely, but we’ll get to that later.)
Last night, with a very summery 80-plus degree temperature here in Chicago, I headed to the Gold Coast neighborhood for a street excursion. It felt good to head out with just shorts and a short sleeve shirt! (Geez, you don’t want to see how pasty I am.)
I recorded some of the action; here’s my second POV-style video—accompanying commentary below.
New Camera(s), Same Six Megapixels
My original L11 (my mom’s old one I randomly found) quickly died from battery leakage. RIP, Lucy, you’ll always be my first love.
So, I ordered another from eBay. It arrived and barely worked, only briefly and in fits. You were kinda of a b****, Lana, so I’m moving on.
I first came across them a couple years ago on YouTube: so-called “POV” videos from street photographers who had mounted a small video camera (GoPro, iPhone, etc.) atop their main camera while they shot in the streets.