Sean Baker, the director of the 2015 movie Tangerine (notably shot using iPhones) and the recently released The Florida Project, sat down for an interview with Charlie Rose, in which he commented on using film versus digital, “If you’re in the position and you can do it, let’s, at this time, shoot on film and use that aesthetic of celluloid that I think is unobtainable in digital.”
This week, Champs Sports, in promotion of a sneaker release, posted a video showcasing New York City-based street photographer Aaron Berger (who I featured on my list of “7 Instagram Street Photographers To Follow In 2017”). The piece is titled “Forever Developing.” Get it?!
Last night, with a very summery 80-plus degree temperature here in Chicago, I headed to the Gold Coast neighborhood for a street excursion. It felt good to head out with just shorts and a short sleeve shirt! (Geez, you don’t want to see how pasty I am.)
I recorded some of the action; here’s my second POV-style video—accompanying commentary below.
I first came across them a couple years ago on YouTube: so-called “POV” videos from street photographers who had mounted a small video camera (GoPro, iPhone, etc.) atop their main camera while they shot in the streets.
In 1952, the Frenchman Henri Cartier-Bresson—street photography pioneer and perhaps its most influential master—published his book Images à la sauvette. Loosely translated, it means “images on the run.”
The book’s English edition title was alternatively chosen as The Decisive Moment, thereby giving street photography its most definitive and well-known catch phrase. That phrase, co-opted by Cartier-Bresson, was originally inspired by the 17th century Archbishop of Paris, Cardinal de Retz, who wrote, “There is nothing in this world that does not have a decisive moment.” The book stands alongside Robert Frank’s The Americans as arguably the two most essential and important works in street photography, if not photography in general.