I started the year by highlighting “7 Instagram Street Photographers To Follow In 2017,” a collection of my favorite shooters I had discovered the year prior. And by “discovered,” I strictly meant found for myself: the first shooter on the list, Aaron Berger, currently has over 37 thousand followers, and the list average is nearly 20 thousand. Perhaps not everyday names, but certainly not unearthed by me from some neglected corner of the internet.
Moving forward, though, I want to continue spotlighting street photographers I come across on the app, with an emphasis on shooters sharing great work with relatively smaller followings. Here’s such a photographer: Alex Ledford. Around March of this year, it seems he shifted his account from personal sharing to a street photography focus.
Most obviously, Instagram, from a photographer’s perspective, is for sharing and showcasing one’s photos. It’s quickly become the predominant photography platform, at this point probably the main means by which photographers, all genres and levels, market themselves and their work. We’ve seen a new crop of street photographers who have mostly come to notoriety via the app.
The flip side of that coin is that it’s become the best place to find and follow visual artists—not just photographers, but illustrators, painters and drawers, even comic stip makers. Instagram has become my de facto daily visual diet and inspo board, especially now that you can save and organize selected posts into collections.
This week, Champs Sports, in promotion of a sneaker release, posted a video showcasing New York City-based street photographer Aaron Berger (who I featured on my list of “7 Instagram Street Photographers To Follow In 2017”). The piece is titled “Forever Developing.” Get it?!
You’ve got to dig through 30,000 nasty shirts from dead guys before you find the one that makes it worth it.Daniel Arnold
From “A Photographer For Our Time,” an article by J Tyler Friedman about Daniel Arnold’s first solo museum exhibition at the Museum of Wisconsin Art, “Daniel Arnold: A Paparazzo for Strangers,” now running through September 17th.
Photo from Daniel Arnold’s Instagram, all rights reserved by the photographer.
99% of the time when shooting on the street, I hit the shutter unannounced, completely candid. When I fist started, not asking was this moral operative that somehow purified my practice, as if the Street Photography God was watching and doling out brownie points. Kind of weird, I know, but I was new to the genre and wanted to adhere to its rules as I perceived them — “I insist you take me seriously!”
I’ve loosened up a little since, hallelujah, now occasionally first asking a subject to make a portrait. I’d classify it as “Street Portraiture,” something I consider wholly separate from Street Photography, but certainly related and adjacent (and certainly worth exploring as a self-identified “street photographer”).
Street Photography International (SPi) is a collective of photographers “who promote the best street photography from around the world.” Their Instagram account—their main platform for promotion—just passed 250K followers. That’s a lot! Especially so for one so narrowly focused on the genre. And for good reason, as they curate and showcase top quality street photos from around the world.
Last night, with a very summery 80-plus degree temperature here in Chicago, I headed to the Gold Coast neighborhood for a street excursion. It felt good to head out with just shorts and a short sleeve shirt! (Geez, you don’t want to see how pasty I am.)
I recorded some of the action; here’s my second POV-style video—accompanying commentary below.
New Camera(s), Same Six Megapixels
My original L11 (my mom’s old one I randomly found) quickly died from battery leakage. RIP, Lucy, you’ll always be my first love.
So, I ordered another from eBay. It arrived and barely worked, only briefly and in fits. You were kinda of a b****, Lana, so I’m moving on.
“The enemy of art is the absence of limitations.” That’s a quote attributed to Orsen Welles speaking in the context of filmmaking. A rewording in the affirmative sense would be, “The ally of art is the presence of limitations.”
At the end of 2015, Instagram moved away from its square-only emphasis, and began displaying landscape and portrait modes as well. Up until that point, users had to rely on third-party apps that essentially let you add white borders to the top and bottom or left and right in order to fit landscape and portrait formatted photos into the app’s square presentation.